MILES DAVIS Plays
The Compositions of Al Cohn

Since the "records heard 'round the world," GODCHILD, JERU, MOVE, et al, Miles Davis has made many other fine records to enhance his position as top modern trumpeter, but in the main they have been three horn groups (including himself) with an emphasis on solo work. After the original melody, usually stated in tight unison, each hornman played again only when his solo turn came. The soloists had to be good to sustain interest, and they were, but it was felt that Miles needed a change of pace for his next recording date; compositions and arrangements which would suit him and result in a happy combination of arranged music and solo work.

The man who achieved this was Al Cohn, the unheralded great of the tenor saxophone, as well as the composer's and arranger's desk. Three of the pieces, WILLIE THE WAILER, FLOPPY, and FOR ADULTS ONLY were written for this session. TASTY PUDDING had been written before but Al arranged it specially for Miles and this date. The PUDDING whipped up by Al receives flavoring and icing from Miles and best exemplifies the whole idea behind this type of integrated arrangement.

Thanks to Miles, Al, and Zoot Sims, with help from John Lewis and Sonny Truitt, the "solo" is not neglected and the feeling that they show in their reading of the arrangements (underlined, and punctuated by Kenny Clarke; propelled by Leonard Gaskin and Kenny) makes the "happy combination" possible.

-IRA GITLER