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MILES DAVIS SEXTET
Miles Davis, trumpet; Sonny Rollins, tenor sax; Bennie Green, trombone; John Lewis,
piano; Percy Heath, bass; Roy Haynes, drums
MORPHEUS
DOWN
BLUE ROOM
WHISPERING
recorded January 17, 1951
This LP is not called Miles Davis With Horns because Miles was sporting bony
appendages from his head at the time of the sessions. Though there are both Devil
and Pan in him, these influences have not as yet manifested themselves in a physical
manner. Rather there are two and three additional horns to Miles in the instrumental
make-up of the groups here, as opposed to the quartet or quintet with which he usually
records.
The 1951 session was Miles' first for Prestige and also the first time he and Sonny
Rollins recorded together. Bennie Green is heard in solo on Whispering and
Down. Miles contributed the latter and the other original, Morpheus,
is by John Lewis.
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MILES DAVIS PLAYS
THE COMPOSITIONS OF AL COHN
Miles Davis, trumpet; Al Cohn, Zoot Sims, tenor saxes; Sonny Truitt, trombone; John
Lewis, piano; Leonard Gaskin, bass; Kenny Clarke, drums
TASTY PUDDING
WILLIE THE WAILER
FLOPPY
FOR ADULTS ONLY
recorded February 19, 1953
The fusion of the two talents such as Miles Davis and Al Cohn could not help but
produce warm, moving jazz. With another great soloist like Zoot Sims on hand, there
is much playing of more than passing merit springing from the sincere simplicity
of Al's compositions.
Tasty Pudding, a tune that has been recorded several times since its debut
here, is all Miles with the ensemble. Everyone works out on Floppy with Zoot
and Al capping things with a chorus apiece followed by a chorus of "eights" and
one of "fours". Miles and Al are the soloists on Willie The Wailer. Each
plays a chorus and then returns for and encore of the same length in that order.
For Adults Only is sort of a modern day Through For The Night. Zoot's
opening solo is sadly beautiful and Al and Miles heighten this feeling in their
portions.
notes by IRA GITLER
supervision by Bob Weinstock; Ira Gitler
remastering by Van Gelder
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