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Miles Ahead session details

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Unknown date, 1980s (3 items; TT = 13:31)
Unknown studio(s), New York NY
Commercial for Columbia

Miles Davis (tpt); Jeremy Pelt (tpt); Walter White (tpt); Antoine Roney (ts); Emilio Modeste (ts); Bernard Wright (keyb); Quintin Zoto (g); John Scofield (g); Ron Carter (b); Marcus Miller (el-b); Vincent Wilburn Jr. (d); D.J Arkiteck (scratches); Blu (voc)

1 Hail to the Real Chief (issued version) (V. Wilburn Jr.) 3:40
2 Hail to the Real Chief (long version) (V. Wilburn Jr.) 6:23
3 Bitches Are Back (V. Wilburn Jr.) 3:28


1 Hail to the Real Chief (issued version)
12" LP: Columbia 19439723701
CD: Columbia Legacy 19075994352, Sony SICP 6248, Sony SICP 6248

2 Hail to the Real Chief (long version)
12" LP: Columbia Legacy 196587655071
CD: Columbia Legacy 19658804552

3 Bitches Are Back
12" LP: Columbia Legacy 196587655071
CD: Columbia Legacy 19658804552


Samples of various Davis performances are used in this music, which was recorded in 2019. "Hail to the Real Chief" is included in the soundtrack to Stanley Nelson's film Miles Davis: The Birth of the Cool. The date(s) and location(s) of the sampled performances are unknown, but they sound like the mid-1980s. The New York location for the 2019 recording is a guess.

The soundtrack includes "music from and inspired by Birth of the Cool." In between the commercial recordings, people associated with Davis in one way way or another -- George Wein, Frances Taylor Davis, Gil Evans, Jimmy Cobb, Herbie Hancock, Wayne Shorter, Marcus Miller, Erin Davis, Carlos Santana, Quincy Troupe, Jack Chambers, Greg Tate, Ashley Kahn, and Vincent Bessières -- discuss Davis, his music, and his impact on jazz and culture.

Carter (b), D.J. Arkiteck (scratches), and Blu (voc) are heard only on "Bitches Are Back."

Thanks to Reinhold Schuttkowski for help with this session.

Details of this recording, and all others from 1980-1991, were kindly provided by Jan Lohmann.

All original content on this website is licensed by Peter Losin under a Creative Commons License